The package includes a Sennheiser e602 dynamic kick drum microphone, four e604 cardioid tom/snare microphones, and a pair of e614 supercardioid overhead From time to time, this website may also include links to other websites. Lynn Fuston spent 37 years behind recording consoles in dozens of studios in Nashville, as well as doing remote recordings around the globe. All trademarks reproduced in this website, which are not the property of, or licensed to the operator, are acknowledged on the website. Have a question about music? If given another mic and channel, the next drum we would want control over would be the snare. Yet, many drummers prefer the touch and feel of playing on a real drum set on stage – and in that case, you will need to know how to mic the drums. Good examples are Pro Tools, Logic, Cubase and there are also some free options such as Garageband and Cakewalk. For stage, and especially for video however, you might need microphones that are less visible. If you are recording in a very small room then a room mic is probably unnecessary. In addition to the perennial favorite mics listed above are the Audix D6, E-V ND68, Telefunken M82, and Sennheiser MD 421 II. If I want less low end, I move the mic farther away from the drum (higher) or farther from the center of the head, which diminishes the low end due to diminished proximity effect. For recording I start dialing in my drum sound by listening to only the overhead mics and then fill in with the spot mics. They will often be larger in size and are used for instruments such as acoustic guitars and vocals. Help other Musiclab users shop smarter by writing reviews for products you have purchased. If you put the mic too close to the bell, you end up with a pinging sound. NOTE: If using a ribbon mic on kick drum, stay away from the hole where there’s a huge rush of air forced out when the drum is played. Set the gain for each microphone by getting the drummer to play the whole kit. Phantom power is the power needed for condenser mics to work. You’ll find many audio engineers using the Shure SM57 for snares, and it often comes down to mic placement at the snare that gives the snare different sound characters. Listen to the under-snare mic combined with the over-snare mic, and switch the polarity of the under-snare mic. Receive news and offers from our other brands? There is no wrong answer, just use your ears, and if it sounds good...IT IS GOOD! This approach is more effective on smaller set-ups such as four- or five-piece kits which, with a mic. Everything you love about Sweetwater in the palm of your hand. This is usually reinforced by a mic on the kick drum and possibly the snare (see Fig. The difference is you get to control the sound better in the studio. A pair of mics that is positioned 4 feet in front of the kit and about 2 feet above the floor can give a great overall sonic picture of the totality of the kit. A mic placed at the the top of a tall stairwell when the drum kit is at the bottom. Miking both the top and bottom skins will allow flexibility when mixing. Solid, lightweight, and easy to position. We have no responsibility for the content of the linked website(s). First is the dynamic mic, which will often be used on the snare, bass drum and sometimes on the toms. The biggest piece in a drum set has a deep, low sound that can’t always be heard unless properly mic’d. This may prevent you from taking full advantage of the website. For the purpose of this guide, we’re going to focus on the two main types of microphones most commonly used for recording a drum kit (as well as other things!). Common placement is to place the mic slightly above (approximately 1″) and inside the rim of the drum pointing towards the drum head at an angle of approximately 30–60˚ (see Fig. Home » Instruments » Drums » How To Mic Drums (Step-by-Step Guide). The web application can tailor its operations to your needs, likes and dislikes by gathering and remembering information about your preferences. Microphone choice has a huge impact on the sound of a snare drum. If we make material changes to this policy, we will notify you here, by email, or by means of a notice on our homepage. The term ‘Musiclab’ or ‘us’ or ‘we’ refers to the owner of the website whose registered office is Level 2/34 Campbell Street, Bowen Hills QLD 4006. BA1 1UA. Some have phantom power available for individual channels, others just a single general phantom power switch. For recording drums in detail, you’ll probably want at least 8 microphones. That gives lots of low end, and it’s a great no-fuss solution because you don’t have to mess with a mic stand. And the Audio-Technica AT5045s are great sounding on drum overheads and a new favorite here at Sweetwater. Low-end thump can be added to an existing recording by playing the kick drum track through a subwoofer, then miking the subwoofer and recording it onto a separate track. You will be notified when your personal information is collected by any third party that is not our agent/service provider, so you can make an informed choice as to whether or not to share your information with that party. Read More >> The Ultimate Guide to Different Types of Drums. Learn More. If you’re the drummer, or you have a drummer that’s open to suggestions. If you have any questions about security on our Website, you can email us, If your personally identifiable information changes, or if you no longer desire our service, you may correct, update, delete or deactivate it by emailing us. While that will definitely work, a great deal more finesse can and should be applied. The importance of properly tuning the drums before recording is often underestimated, but the effect can be significant. For studios, clubs, rehearsal rooms, smaller gigs, or for home recording. If recording in a nice-sounding room and you have the luxury of spare mics and channels, putting up room mics can provide some useful natural ambience, which can really bring the sound of the kit to life when dialled into the mix. Because of the huge amount of sound pressure being created by the kick drum, it is important to use a mic with a high SPL rating. Place the mic 2 to 3 inches away from the inside head and a couple of inches off center. Pointing the mic directly at the center of the snare will pick up more bass and deep thump, but you lost out on the natural sound of the snare. You can easily replicate this setup with used gear from your local shop for a fraction of the cost with much better microphones. Here I’m going to outline a pretty common one that I use a lot, it’s called a ‘spaced pair’. One problem often encountered when miking the bass drum comes if the drum is fitted with a full front head. When miking toms individually, the mic is usually placed 1–2″ from the skin, just inside the rim. The use of this website is subject to the following terms of use: Musiclab regards customer privacy as an important part of our relationship with our customers. An audio interface is a piece of hardware that connects your microphones to your computer via USB. Using a boundary mic lying inside the drum for the low end, combined with another stand-mounted mic for the attack, gives a lot of flexibility when crafting an awesome sounding kick. The mic on the left will pick up the right side of the kit, and the mic on the right will pick up the left (see Fig. Exclusive deals, delivered straight to your inbox. Need a... You'll find the world's best microphones at Sweetwater! Sennheiser E604 – Works well as a snare microphone as well. A pair of LDCs, spaced 90 degrees apart from the drum center, works well. The most common mics for this are large condenser mics, these mics usually require their own form of external power called Phantom Power. 136). * One mic outside the front (resonant) head. This is commonly a large-diaphragm condenser mic, placed a few feet in front of the drum kit at head height, pointing roughly at the snare drum. The term ‘you’ refers to the user or viewer of our website. On the subject of miking the snare, if you are playing a cross-stick part, as well as turning the stick around to play with the butt end, pointing the mic at the point where the stick hits the rim can help capture a stronger sound. When it comes to condensers on toms, the low-profile Audio-Technica Artist Elite AE3000 sounds really sweet.

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