Last month, we explored a variety of approaches to building soloing ideas from major hexatonic scale patterns. So this final pattern can be seen as linking up to the first. If you play Rock, Blues, or Metal, this is the single most important scale to know; this is both historically and theoretically the foundation of all of three (and their sub-genres). Play through the solo slowly while taking notice of the way each scale degree relates to the underlying chord tones. G minor hexatonic scale: Hexatonic scales can be thought of as adding a tone to a pentatonic scale, or omitting a tone from a seven-tone scale. Take a look at the introductory video below, then scroll down for more help... First we need to be aware of how these hexatonic patterns are positioned on the neck in relation to the key we're playing in. The idea is to play blues in the low register, and then to switch to Minor Hexatonic only in the high pitched notes of a passage or phrase. We keep the feel of a six note scale, yet we create an instant melodic contrast by trading the flatted fifth scale degree for the second (same notes as the 9 btw). Its a completely incorrect name for the Blues Scale, which has six notes, and is therefore hexatonic. So although we're still effectively using these hexatonic sequences, moving fluidly between them is just one way of navigating and expressing the parent seven tone scale. For example, instead of playing a linear ascending or descending run, we can add in more repetition to each string pairing. Why a Website would Call a Hexatonic (Six Note) Scale "Pentatonic" Don’t miss it! But being able to subdivide beats into 3 or six notes adds an huge and essential dimension to our playing. This scale has six notes, it is basically the Major scale minus the 7th scale degree. When soloing, it’s advantageous to be able to include open strings, and with this scale we can use every open string except the G. Figure 2 shows A major hexatonic played in 4th/5th position. G major hexatonic scale: After all, all notes are 1 tone’s distance from each other. © Feel free to adjust the suggested fingering as you see fit. And we don't always have to play across the entire pattern from high to low or vice versa. Our first pattern can be seen as formed around three root positions. Guitar World is supported by its audience. Bop pianist Thelonious Monk often interpolated whole-tone scale flourishes into his improvisations and compositions. Advanced: "Secrets of the symmetrical augmented scale". You can think of it as C Lydian b7 without the 5th degree. But when we say the Hexatonic Minor Scale we are referring to this version, because it is the most common type without an official name (like Blues). The hexatonic scale, or whole-tone scale, is a scale formed by the sequence: tone – tone – tone – tone – tone – tone – tone.. No wonder it is called “whole-tone scale”, right?! England and Wales company registration number 2008885. To do this, just play the hexatonic of the dominant in question. Scriabin himself called this set of pitches, voiced as the simultaneity (in ascending order) C F♯ B♭ E A D the "mystic chord". Please note: This article will not discuss the modern Jazz practice of constructing Hexatonic scales more or less on the fly by stacking triads. Learn more. "Blue Note", "Guitar 101: Learning Harmony Through Six-Note Hexatonic Scales, Part 4", Secrets of the symmetrical augmented scale, "The ten piano sonatas of Almeida Prado: the development of his compositional style", Detailed Examination of Hexatonic Scales Originating in the Natural Scale/Harmonic Series, The origin of triads and musica ficta filling in hexatonic gaps in the diatonic scale,, Articles lacking reliable references from June 2009, Wikipedia articles needing page number citations from June 2009, Articles with unsourced statements from May 2012, Creative Commons Attribution-ShareAlike License, This page was last edited on 11 November 2020, at 21:23. You could also see this as removing notes from the Dominant 7th scale, as it is a subset of both the Major Scale (called Ionian Mode by the Catholic Church) and the Dominant 7th Scale (called Mixolydian Mode by the Catholic Church). The fret numbers are below each diagram for reference. Once again, become aware of the root positions as references for starting in this pattern... Fourth pattern. Eric Clapton, Allman’s bandmate on the Derek and the Dominos album Layla and Other Assorted Love Songs, also relies often on this scale, and a perfect example can be found in Why Does Love Have to Be So Sad? Dickey and Duane spent a lot of time working their harmonies out to get it just right. Tip:  Use a metronome to get up to speed. Its sound is not as “acclaimed” as these other scales; some musicians like it more, others less, and you’re the one who will decide when it’s worth using it or not. As the top part of the pattern is higher up the neck, and the fret spaces narrower, we can use our 3rd instead of 4th finger if preferred (use whatever fingering is most comfortable for the playing situation)... And finally the fifth pattern. The Hexatonic Major scale also has a rather specific advantage when harmonizing guitar parts, which will be discussed below. When we say a scale is Hexatonic, on guitar or any other instrument, we are simply saying the scale has six, and only six different notes. B minor hexatonic scale: The major and minor hexatonic scales can be used in addition to the natural major and minor scales. Here I've mapped out the seven-tone C major scale. This whole-tone scale has appeared occasionally and sporadically in jazz at least since Bix Beiderbecke's impressionistic piano piece In a Mist. It may also be called the "minor-third half-step scale" due to the series of intervals produced. B major hexatonic scale: C minor hexatonic scale: ©2014-2020 All Rights Reserved - Simplifying Theory. Check them out! New Albany, IN: Jamey Aebersold Jazz, 1992. So, the hexatonic scale is simply a six-tone scale. Similar to the more commonly used major and minor pentatonic scales, which are five-tone scales, a hexatonic scale can be formed by adding one note to either of them. Guitar World is part of Future plc, an international media group and leading digital publisher. When the dominant already has one of these alterations, the hexatonic sounds even better, right? To refresh: The pentatonic is made up of 5 notes in the following pattern: Root; 1 ½ tone interval; Whole tone; Whole tone; 1 ½ tone; Whole tone ; So in the case of E minor pentatonic it would be. A minor hexatonic scale: Home; Lessons; How to use the major hexatonic scale of a I-IV progression This six note scale minor scale can be thought of as I am also not including the Whole Tone scale. A model for hexatonic scales in 96-EDO, They would also be hexatonic minor scales.

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